ABOUT US

Founded in 2015, Reboot Theatre Company is a 501(c)(3) non-profit theatre company based in Seattle, WA.

Jasmine Joshua (they/them) with cast in 1776

Jessica Robins (she/they) and Cammi Smith (she/her) in Sweeney Todd

Isis Phoenix (she/her) and Jesse Calixto (he/him) in Private Lives

Mandy Rose Nichols (they/them) and Alyssa Keane (she/her) in Sweeney Todd

Barbara Klingberg (she/her), Kylee Gano (she/her) and Pat Haines-Ainsworth (she/her) in 1776

Danielle Hill (she/her), Angela Snyder (she/her), Jake Atwood (he/him) in Little Shop of Horrors

Vincent Milay (he/him) in Little Shop of Horrors

DeSean Halley (he/him) and Dani Hobbs (they/them) in Little Shop of Horrors

Tipsy Rose Lee (she/her) in Little Shop of Horrors

Isis Phoenix (she/her) and Kit Lascher (they/them) in Private Lives

Janet McWilliams (she/her) in Fly by Night

Kiki Werner (she/her) in Little Shop of Horrors

MISSION STATEMENT

Reboot Theatre Company tests new interpretations of established works through nontraditional casting, design, and methods yet to be discovered.

OUR STORY

It started with thirty women in an apartment, reading from scripts and singing with a keyboard. After a successful fundraising campaign, and a sold-out cabaret, a “What if” conversation turned into the nation’s first fully realized all-female production of 1776.

After repeatedly hearing, “Within the first five minutes, I forgot you all were women!”, we knew we had something special. If an audience could suspend its disbelief while watching a woman play Thomas Jefferson or Benjamin Franklin, what else could we attempt?

Reboot strives to find where context breaks the story. How far can we go? Let’s find out.

Mandy Rose Nichols (they/them) - Fly By NightPhoto credit: Jeff Carpenter — Mandy Rose Nichols (they/them) - Fly By Night
Photo credit: Jeff Carpenter

The cast of Little Shop of Horrors
Photo credit: Jeff Carpenter

WE BELIEVE

Theatre has the power to change hearts and minds.
In theatre that provokes conversations both in the audience and the artistic community.
In being collaborative members of the theatre community.
Cultivating a diverse talent pool is essential to the evolution of the theatre arts.
In creating a safe space for artists to be who they are and build who they want to be.