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reboot [v. ree-boot]
To restart. To wipe the slate clean. To test a new interpretation.

Reboot Theatre Company’s mission is to test interpretations of established works through nontraditional casting, design, and methods yet to be discovered.

We want to discover where context breaks the story. At what point is the casting or design distracting to an audience? Let’s find out where that line is. You may have seen The Music Man or Death of a Salesman before, but you’ll never have seen it the way Reboot does it.


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Who is Reboot?


Jasmine Joshua (Producing Artistic Director) is a Seattle actor, writer, and producer. She has performed roles at Book-It, Intiman, STAGEright, Seattle Musical Theatre, Bainbridge Performing Arts, Driftwood Players, Phoenix Theatre, and Twelfth Night Productions. She’s studied with the Larry Moss Studio, the Groundlings, and Jet City Improv. She graduated magna cum laude with a BA in Creative Writing from the University of California, Santa Cruz. Prior to moving to Seattle, she was a publicist at an entertainment PR agency in the San Francisco Bay Area where she handled PR for Broadway tours, LORT theatres, community theatres, ballet, opera, and a monster truck rally.  She is workshopping her first musical, a show about women, friendship, and folk/country music.
Rebecca LaneRebecca Lane (Associate Producer) is a Seattle-based actor with a background in theater education. She had the privilege to perform in Reboot’s first production, 1776, as James Wilson, and loved every second of breaking out of her typecast. She can’t wait to continue with the mission of Reboot and give other actors, directors and designers the same opportunity to explore! Rebecca has also performed with Storybook Theater, SecondStory Repertory, Seattle Musical Theater, and Twelfth Night Productions. She is a graduate of UW with a degree in Drama.
AngelaAngela Snyder (Associate Producer) is a PNW native, holds a degree in drahmah (UW), and has spent the last 20 years working in and on the boards all over the region including Driftwood, CLO/SMT, Renton Civic, Woodinville Rep, Interplayers/Modern Theatre, and CenterStage to name a few. Her secret dream…to one day be on the side of a Metro Bus.  In addition to being able to read good and do other stuff good too, she is an accomplished crossword puzzle solver, can curse in four languages, and has almost perfect pitch — give or take a few tones.  Angela is excited and proud to work with the Reboot team and is very passionate about diversity and inclusion in the performing arts as well as accessibility to arts education.
harryHarry Turpin (Associate Producer) has been active in the Seattle theatre community for over 15 years, as a performer, writer, and director/choreographer.  He’s directed several productions here in Seattle, most recently Becoming More Less Crazy, Sweet Charity, The Who’s Tommy, and I Hate Hamlet.He’s also choreographed probably 10389013701730170175 productions of Bye, Bye, Birdie!and several productions of The Pajama Game.  He’d be fine if he never choreographed another production of Birdie again.  In addition to directing, Harry has been seen onstage at the 5th Avenue Theatre, Village Theatre, on tour all over the country as well a a month-long stint at Madison Square Garden. Go to the theatre!
Mike Messenger (CTO and Technology Director) After years running startups in Silicon Valley, Mike Messenger brings his deep technology background to the theater business. Having already built a social network for artists, musicians, and directors, Mike’s goal is to reboot the theater industry by bringing new eyes to crowdfunding, subscriber models, and more.




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